Ceremonial Fires (2023) CD in 4 panel color wallet w/ spine, Pulsewidth PW023
Ceremonial Fires presents an anthropologist's cold case, field recordings of illogical rhythms from some uncharted jungle island. Discover!
"To be still surprised is a great thing. I heard a lot of music by David Lee Myers under that name and his moniker Arcane Device. Some in the past few weeks (even last week) were all along the lines of what one expects. Serious works of drone music, sometimes louder, sometimes more complex, lean heavily on modular electronics and self-generating sound systems. Then 'Ceremonial Fires' arrived. Nothing short of a total blast here. First of all, these thirteen pieces are short and to the point. I have no idea why there is a radical change like this, but Myers works with rhythms, sampled voices, sampled everything, and stuck together to be a good song…none of this aims at the dance floor but is well suited for a proper sit-down and listening session. In each of these pieces, a lot is happening. On the surface, the front-end of the piece and in the background, Myers creates a dense field that never blurs. It is always open and spacious, and much care for the more minor details of the music. I have no idea if this is a one-off change of direction or something Myers will explore further in the future. Obviously, I hope the last will be the next route for him. There is a lot of new territories to explore here, and the road is wide open." —Frans de Waard, Vital Weekly
Ceremonial Fires presents an anthropologist's cold case, field recordings of illogical rhythms from some uncharted jungle island. Discover!
"To be still surprised is a great thing. I heard a lot of music by David Lee Myers under that name and his moniker Arcane Device. Some in the past few weeks (even last week) were all along the lines of what one expects. Serious works of drone music, sometimes louder, sometimes more complex, lean heavily on modular electronics and self-generating sound systems. Then 'Ceremonial Fires' arrived. Nothing short of a total blast here. First of all, these thirteen pieces are short and to the point. I have no idea why there is a radical change like this, but Myers works with rhythms, sampled voices, sampled everything, and stuck together to be a good song…none of this aims at the dance floor but is well suited for a proper sit-down and listening session. In each of these pieces, a lot is happening. On the surface, the front-end of the piece and in the background, Myers creates a dense field that never blurs. It is always open and spacious, and much care for the more minor details of the music. I have no idea if this is a one-off change of direction or something Myers will explore further in the future. Obviously, I hope the last will be the next route for him. There is a lot of new territories to explore here, and the road is wide open." —Frans de Waard, Vital Weekly